Crickets chirping. The gentle flow of water lapping at the shore. And the wind rushing through an alien sky. In the distance - voices? A cool chill permeating the soaked rags he could feel plastered to him. Mud beneath his... hooves. These were the first sensations he felt as he came back to consciousness.
Gentle Ox opened his eyes and sat up, but slowly. It was daytime, and he lay on a river shore. A path led from the shore to a collection of tents on a hill, but the view was dominated by an imposing observatory. Mud had caked his face, so he crawled to the river and... he was not an ox. His reflection showed a distinctly lizard-like face; wearing a shocked expression, it stared back at him, dirty and grimy. Ox blinked a few times, then closed his eyes and slowly counted to five. He opened them again and expectantly looked down at the water. Nope, still a lizard. Not an Ox. "Moo," he said, experimentally. It was not a sonorous bovine sound that came out, but instead, "moo" formed in human-speak. The voice was baritone, as if that mattered. "Shit," he remarked. Lizard hardware, human software.
First things first. He gathered water in his... hands and splashed it against his face, rubbing off as much of the mud and grit as he could. Whatever life he was living now, it would be no use to go through it despondent and dirty. It seemed like this observatory was a good place to find some purpose, but as he stood up, he noticed a figure coming down the hill. The figure was clad in heavy combat webbing, and bore an automatic weapon...
(I'm taking a break from the Saloon story for now, and am taking inspiration from Project Silverfish with this new set of shorts.)
Hello once more, Bees! My back is mostly well again, and I headed down to the gym once more to put my body through its paces.
Today was a secondary Push day.
Block Press: 140 x 5, 142.5 x 4. A new PR on both counts!
Larsen Press: 125 x 5. This almost went funny. When your legs are off the bench, fiddling around with balance is a very tricky proposition. Got the reps, though.
Incline Press: 90 x 6.
Dumbbell Curls: 18 x 20.
Dumbbell Forearm Curls: 18 x 22.
We're going to get dim on Saturday. Nom nom nom, better take pictures!
It's almost week's end, Bees! You've got this.
Playing: Take a guess. Yep, Project Silverfish once more. I know I shouldn't, but I'm probably going to spend tonight gaming away. Because my playthrough has been stuffed with plenty of cheese, I've amassed more money than would be reasonable in a regular playthrough already. The quests are kind of obtuse, though, and frustrate as much as they stimulate.
Didn't play anything else. Wah wah... And again, possibly won't.
Reading: I love SCPs that are gigantic creatures we have no hope of defeating!
https://scp-wiki.wikidot.com/scp-7450
Watching: I finished my first front-to-back watch of The Way of the Gun, so here's a trailer, synopsis, and a review.
(This unbelievably poorly conceived trailer does not represent the subtle, dark crime story at the heart of the film. And whose idea was it to use Limp Bizkit, of all bands?? Unbelievable!)
Parker and Longbaugh are two drifters whose skill with firearms and ambitious scheming belie their thuggish and impulsive natures. An overheard tip about a multimillionaire who plans to have a surrogate child is the score to end all scores. It sounds simple: kidnap the girl and hold her (and her baby) for ransom. Unfortunately, even though they successfully (and in ham-handed fashion) grab the girl, it turns out that they have no idea who they're dealing with, and are in way over their heads. Schemes upon schemes ensue as the two seek to get out with their money, and get out alive.
Synopsis: It's flawed as a whole, but taken as a moment to moment watch, is a compelling crime flick with excellent shootouts.
Christopher McQuarrie's directorial debut is a rebuke to the standard Hollywood crime stories (which was, most assuredly, his intention); there is very little comedy, the dialogue is wordy and often figurative, and, most tellingly, many of the characters are markedly amoral. Case in point, the two protagonists are (suspiciously well-trained) bums seemingly absent of consciences, and the people they're up against are possibly even worse.
The performances are taut and lean, and while not exactly believable, needle the viewer. Part of the intrigue the film has is watching the different players scheme away, with motivations that almost never align. The film has been criticized for being thin on characterization, with each development contrived to deliver the protagonists to the final shootouts, but I found the minute to minute plotting and acting superb.
The shootouts deserve some special attention. Scuttlebutt is that the actors were trained by a former Navy SEAL, and it shows. The gunfights are electrifying to watch, and the gun handling is simply exceptional (cf Heat, which is similarly lauded in this department), if not exactly believable (how did these two drifters get to be so well-trained, anyway)? Anyway, guns go boom is fun.
(And make no mistake, there are almost no comedic overtones to the film).
I'm paying that ransom, and delivering to Way of the Gun four duffel bags full of cash out of five.
Now what to watch...
Listening to: Joe Kraemer - The Grab (from Way of the Gun). I wouldn't say it's ill-fitting, but the score is peculiarly noble and distinguished for a film like this. It's a great song (and score) nonetheless. I love the leitmotif in this one.